• Sign Up
  • Log In
  • Magazine
    • Latest Issue
    • All Issues
    • Log in support
  • News
  • Reviews
    • Live Reviews
    • Film Reviews
    • Recorded Reviews
    • Book Reviews
    • All Reviews
  • Features
    • Australian Accent
    • World Premiere
    • Cutting Edge
    • Rising Star
    • Guy Noble’s Soapbox
    • Decoding Cultural Leadership
    • All Features
  • Music
    • Playlists
    • On The Record
    • All Music
  • Opera
  • Theatre
  • Dance
  • Events
    • View calendar
    • List Your Event
  • About Us
    • Advertise
    • Support Us
    • Licensing
    • Contributors
  • Subscribe
  • Subscribe
  • Events
  • Competitions
  • Advertise
  • Donate
  • Limelight Arts Travel
  • Subscribe
  • Events
  • Competitions
  • Advertise
  • Donate
  • Limelight Arts Travel
  • Sign Up
  • Log In

  • Magazine
    • Latest Issue
    • All Issues
    • Log in support
  • News
  • Reviews
    • Live Reviews
    • Film Reviews
    • Recorded Reviews
    • Book Reviews
    • All Reviews
  • Features
    • Australian Accent
    • World Premiere
    • Cutting Edge
    • Rising Star
    • Guy Noble’s Soapbox
    • Decoding Cultural Leadership
    • All Features
  • Music
    • Playlists
    • On The Record
    • All Music
  • Opera
  • Theatre
  • Dance
  • Events
    • View calendar
    • List Your Event
  • About Us
    • Advertise
    • Support Us
    • Licensing
    • Contributors
  • Subscribe
Opera
Live Review

Review: Le Belle Immagini (Australian Baroque & West Australian Opera)

In this concert, Brigette Heuser proves that mezzos can show pony just as much as the sopranos when given the opportunity to shine.

December 2, 2024
Dance
Live Review

Review: The Nutcracker (The Australian Ballet)

It's time to pull the 'cracker, with Tchaikovsky, the art of classical dance and a swag of gorgeous tutus lighting up the revival of Peter Wright’s production.

December 2, 2024
Classical Music
Live Review

Review: Brahms’ Triumph (West Australian Symphony Orchestra)

WASO ends its 2024 classical concert season on a towering high.

December 1, 2024
Vocal & Choral
Live Review

Review: Hark! (The Song Company)

A nativity-themed program of sublime singing, complex harmonies and exemplary musicianship.

November 30, 2024
Live Review

Review: Titan (Adelaide Symphony Orchestra)

A towering performance of Mahler’s Symphony No. 1, the 'Titan', and Kate Suthers’ splendid Mendelssohn violin concerto, in another excellent ASO program.

November 30, 2024
Classical Music
Live Review

Review: Vasily Petrenko Conducts the Rite of Spring (Sydney Symphony Orchestra)

With charisma to burn, Vasily Petrenko shows he’s made of the Rite stuff.

November 29, 2024
Classical Music
Live Review

Review: Ryman Healthcare Spring Gala: Beethoven’s Ninth (Melbourne Symphony Orchestra)

The MSO's Beethoven Festival ends on an emphatic high, buoyed by fine singing and an Auslan choir.

November 29, 2024
Dance
Live Review

Review: PIECES 2024 (Lucy Guerin Inc and UMAC)

Rising star Tra Mi Dinh makes the hit of the night in a trio of new contemporary dance works.

November 29, 2024
Musical Theatre & Cabaret, Theatre
Live Review

Review: Irving Berlin’s Holiday Inn (Well Done Creative, Hayes Theatre Co)

A slight but sweet show, which demands stellar performances and plenty of razzle-dazzle to offset its limitations.

November 28, 2024
Classical Music, Vocal & Choral
Live Review

Review: Handel’s Messiah (Melbourne Chamber Orchestra & Polyphonic Voices)

The MCO and the Recital Centre's acoustics endow a stripped-back Messiah with the gravitas of a much bigger production.

November 26, 2024
Vocal & Choral
Live Review

Review: People’s Choice (Sydney Chamber Choir)

A consistently engaging, perfectly blended concert of changing moods, from Bach to the Beatles.

November 25, 2024
Theatre
Live Review

Review: The Hall (Bullet Hearts Club & fortyfivedownstairs)

Natasha Herbert shines in this loving yet unflinching depiction of the experience of – and the caring for – someone living with dementia.

November 24, 2024
Classical Music
Live Review

Review: Brahms’ Splendour (Clara-Jumi Kang & West Australian Symphony Orchestra)

The combined forces of WASO, Clara Jumi-Kang and conductor Vasily Petrenko make for a splendid night indeed.

November 24, 2024

Posts pagination

Previous 1 … 32 33 34 35 36 … 345 Next

Suite 606, Level 6
84 Pitt Street
Sydney NSW 2000

Contact Limelight

Quick Links

  • Subscribe
  • Back Issues
  • Advertising
  • Licensing
  • Help Centre
  • Editorial Policy
  • Privacy Policy
  • Contact

Arts news delivered to your inbox

Our free Weekly Newsletter delivers the latest arts news, reviews and features to your inbox each Saturday.

Sign up

© 2025 Limelight Arts Media Pty Ltd

Search