Review: Titanique (Michael Cassel & Eva Price)
Absurd, fabulous fun. If you're a fan of Céline Dion, the film Titanic and/or gloriously camp musical theatre, this will float your boat.
Absurd, fabulous fun. If you're a fan of Céline Dion, the film Titanic and/or gloriously camp musical theatre, this will float your boat.
LA Phil Wind Quintet teams up with QCGU students for under-attended Brisbane Festival chamber showcase.
Forget about your own cost of living issues for a while with this Pulitzer Prize winner about people with disabilities, their carers and the universal need to connect.
Marvellous Mendelssohn and some interesting new voices, but Richard Tognetti brings it all back home to Bach.
Director Gary Abrahams and a talented cast give this well worn Puccini opera an early 20th century Melbourne refresh.
Merlynn Tong's play shows us that it is our internal journey and our relationships – not wealth and status – that matter most on the path to healing.
Two terrific scores, one with onstage string quartet, are the bedrock of Sydney Dance Company’s new double bill.
The stars align in this slice of musical theatre heaven as Prior and Cormick deliver a masterclass in capturing the moment.
Soprano Camilla Tilling a superb interpreter of Mahler lied; a focussed and incisive TSO make a perennial favourite sound fresh.
Like all of Dalton's work, Love Stories drips with sentimentality and specificity of place.
Canadian virtuoso Karen Gomyo dazzles and young Aussie conductor Daniel Carter shows his operatic chops in a concert from the top shelf.
The sonic effect of around 400 musicians successfully grappling with this choral and symphonic colossus was something to behold.
Oscar foregrounds the queer experience in a full-scale production of the kind typically reserved for heteronormative plotlines.