Review: TwoSet Violin: Sacrilegious Games World Tour (Sydney Opera House Presents)
A fresh, comedic take on the classical concert and a convincing argument for its continued relevance to new and younger audiences.
A fresh, comedic take on the classical concert and a convincing argument for its continued relevance to new and younger audiences.
Stellar performances of salon and Belle Époque music from the erstwhile Beaux Arts Trio star.
This impressive contribution to the Utzon Music 2026 series makes a playful and mischievous splash.
The sense of freedom and enthusiasm projected by seven very fine instrumentalists proves infectious.
French chansons, jazz sophistication and a touch of Parisian romance to charm a Sunday afternoon audience.
Different flavours of Spanish guitar ably demonstrated by a first-time duet despite sound issues.
San Francisco's Dylan Adler turns personal trauma into a winning mix of songs, laughs and self-discovery.
Ivan Karizna’s magisterial performance of Shostakovich’s first cello concerto contrasts with an enchanting new work by Jakub Jankowski.
Reuben Kaye launches his directorship with a fleshy and high-energy celebration of cabaret's future.
Two contemporary dance productions remind us to position ourselves as part of, not separate to, nature.
With composer-conductor Aaron Wyatt at the helm, the MSO presents an engaging program of works by First Nations composers.
This year's concert came complete with a star soloist in the form of Jenna Smith, a satisfying musical arc – and a touch of déjà vu.
The English tenor reveals his true colours and it’s a glorious palette to behold.