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Theatre
Live Review

Review: Operation Boomerang (Yirra Yaakin Theatre Company)

Dr Lynette Narkle shines in a fine work exploring questions of family, Country and where one will ultimately lay one's head.

October 9, 2024
Classical Music, Vocal & Choral
Live Review

Review: Voices en Masse – Mozart’s Requiem (Tasmanian Symphony Orchestra)

More than 200 community singers and the TSO Chorus melded into a single instrument of amazing range, tonal lustre and precision.

October 8, 2024
Dance
Live Review

Review: Coco Chanel: the Life of a Fashion Icon (Queensland Ballet)

A brilliant production made by a choreographer who handles the episodic nature of the storytelling with absolute skill.

October 6, 2024
Chamber, Classical Music
Live Review

Review: Concertante (Omega Ensemble)

Omega Ensemble triumph in a program with a little bit of everything – including the world premiere of Harry Sdraulig’s Triptych.

October 5, 2024
Chamber, Classical Music
Live Review

Review: Untrodden Ways (NZTrio)

Aotearoa New Zealand’s renowned chamber ensemble, the NZTrio, vividly illuminates the piano trio form in an absorbing program of recent music.

October 5, 2024
Classical Music
Live Review

Review: Shostakovich’s First Cello Concerto (Steven Isserlis, Melbourne Symphony Orchestra)

Cellist Steven Isserlis demonstrates what a consummate artist’s total commitment to a composer's vision looks and sounds like.

October 4, 2024
Theatre
Live Review

Review: I hope this means something (Melbourne Fringe Festival)

Performer-writer Patrick Livesey invites audiences to consider the climate crisis in the context of a related existential one.

October 4, 2024
Theatre
Live Review

Review: Well-Behaved Women (Belvoir & Michelle Guthrie Presents)

Carmel Dean's witty, insightful song cycle has plenty to say, with fabulous performances from a top-notch cast.

October 4, 2024
Theatre
Live Review

Review: Mary Shelley’s Frankenstein (Shake & Stir and Crossroads Live)

Brought to life on stage with searing visuals, this Shake & Stir adaptation is a monstrously worthy addition to the Frankenstein canon.

October 3, 2024
Theatre
Live Review

Review: Seventeen (WildThingProduction and Seymour Centre)

Mature actors channel their younger selves in Matthew Whittet's poignant portrait of schoolies on the cusp of adulthood.

October 2, 2024
Chamber, Classical Music
Live Review

Review: Ensemble Q and William Barton (Musica Viva Australia)

William Barton continues to expand the horizons of the instrument of which he is arguably Australia’s leading player.

October 2, 2024
Theatre
Live Review

Review: Bad Boy (fortyfivedownstairs & Melbourne Fringe)

From Patricia Cornelius, a schematic thesis on contemporary masculinity and abusive men enabled by a complicit system.

September 30, 2024
Classical Music
Live Review

Review: Runnicles conducts Mahler 4 (Sydney Symphony Orchestra)

Mahler’s child-like innocence and some highly perfumed Strauss make for a heady mix from the SSO.

September 27, 2024

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