Review: Golden Blood 黄金血液 (Griffin Theatre Company)
Merlynn Tong's play shows us that it is our internal journey and our relationships – not wealth and status – that matter most on the path to healing.
Merlynn Tong's play shows us that it is our internal journey and our relationships – not wealth and status – that matter most on the path to healing.
Two terrific scores, one with onstage string quartet, are the bedrock of Sydney Dance Company’s new double bill.
The stars align in this slice of musical theatre heaven as Prior and Cormick deliver a masterclass in capturing the moment.
Soprano Camilla Tilling a superb interpreter of Mahler lied; a focussed and incisive TSO make a perennial favourite sound fresh.
Like all of Dalton's work, Love Stories drips with sentimentality and specificity of place.
Canadian virtuoso Karen Gomyo dazzles and young Aussie conductor Daniel Carter shows his operatic chops in a concert from the top shelf.
The sonic effect of around 400 musicians successfully grappling with this choral and symphonic colossus was something to behold.
Oscar foregrounds the queer experience in a full-scale production of the kind typically reserved for heteronormative plotlines.
Mullumbimby-based choral ensemble Dustyesky might not speak Russian, but they sure know how to sing it.
What kind of men are raised in single-sex Catholic schools, asks All Boys – and what does that mean for the rest of the world?
From Melanie Tait comes a tartly funny version of the story of a woman who gave her all to The Firm.
An intensely moving and timely work by flamenco great Paco Peña brings its audience to their feet.
Outstanding performances and design rescue this fairy tale hodgepodge from the deep, dark woods.