Review: Coco Chanel: the Life of a Fashion Icon (Queensland Ballet)
A brilliant production made by a choreographer who handles the episodic nature of the storytelling with absolute skill.
A brilliant production made by a choreographer who handles the episodic nature of the storytelling with absolute skill.
Omega Ensemble triumph in a program with a little bit of everything – including the world premiere of Harry Sdraulig’s Triptych.
Aotearoa New Zealand’s renowned chamber ensemble, the NZTrio, vividly illuminates the piano trio form in an absorbing program of recent music.
Cellist Steven Isserlis demonstrates what a consummate artist’s total commitment to a composer's vision looks and sounds like.
Performer-writer Patrick Livesey invites audiences to consider the climate crisis in the context of a related existential one.
Carmel Dean's witty, insightful song cycle has plenty to say, with fabulous performances from a top-notch cast.
Brought to life on stage with searing visuals, this Shake & Stir adaptation is a monstrously worthy addition to the Frankenstein canon.
Mature actors channel their younger selves in Matthew Whittet's poignant portrait of schoolies on the cusp of adulthood.
William Barton continues to expand the horizons of the instrument of which he is arguably Australia’s leading player.
From Patricia Cornelius, a schematic thesis on contemporary masculinity and abusive men enabled by a complicit system.
Mahler’s child-like innocence and some highly perfumed Strauss make for a heady mix from the SSO.
A brilliant, challenging score by Jack Symonds sustains this boldly designed Ur-fable of bloodlust and redemption.
Darebin City Preston Brass Band delivers a dazzling interpretation of a much-loved claymation caper.