Like all of Dalton's work, Love Stories drips with sentimentality and specificity of place.

Canadian virtuoso Karen Gomyo dazzles and young Aussie conductor Daniel Carter shows his operatic chops in a concert from the top shelf.

The sonic effect of around 400 musicians successfully grappling with this choral and symphonic colossus was something to behold.

Oscar foregrounds the queer experience in a full-scale production of the kind typically reserved for heteronormative plotlines.

Mullumbimby-based choral ensemble Dustyesky might not speak Russian, but they sure know how to sing it.

What kind of men are raised in single-sex Catholic schools, asks All Boys – and what does that mean for the rest of the world?

From Melanie Tait comes a tartly funny version of the story of a woman who gave her all to The Firm.

An intensely moving and timely work by flamenco great Paco Peña brings its audience to their feet.

Outstanding performances and design rescue this fairy tale hodgepodge from the deep, dark woods.

Jacques Emery’s 90-minute "deep listening ritual" creates a lavish world of sound with only two-note chords.

Mozart and Boccherini’s woodwind music comes alive in the hands of an outstanding quintet led by flautist Sally Walker.

Loving, touching and bold, the standing ovation which greeted this performance was well deserved.