Review: Siobhan Stagg and Roderick Williams in Recital (Melbourne Symphony Orchestra)
Two talented singers delighted their audience, skipping along a path less travelled of art songs, opera and musicals.
Two talented singers delighted their audience, skipping along a path less travelled of art songs, opera and musicals.
Rachelle Durkin in peak vocal and dramatic form in Australian Baroque's exploration of lesser-known opera and chamber works.
Sarah Brightman’s audacious performance unleashes the full potential of Lloyd Webber’s masterpiece in this glittering homage to the Golden Age of Broadway.
Debut by Tokyo diva Yukie Sato wins hearts and minds of the Brandenburg audience.
This world premiere production of a new musical honouring Torres Strait Islander railway workers radiates joy.
High spirits and low notes in a sparkling entertainment from the best HIPsters under the Southern Cross.
Played for laughs, this modern production for modern times bubbles like a bottle of Prosecco.
An incisive exploration of three Beethoven piano trios, not all of which began as piano trios.
Music of ravishing beauty from the 16th and 17th centuries polished to a glow in this exquisite Pinchgut Opera showcase.
Karen Gomyo's technical assurance and expressive power much in evidence in a concert of music by Debussy, Barber and Franck.
Playfully incorporating ‘relaxed’ and ‘inclusive’ elements, Belvoir's production of the West End hit is right for the times.
Benjamin Britten's chamber opera comes to ghostly, claustrophobic life in a new production at the intimate Hayes.
DSO raises goosebumps in its evocation of Cyclone Tracy, which devastated Darwin on Christmas Eve 1974.