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Classical Music
Live Review

Review: Dvořák’s Symphony No. 8 (West Australian Symphony Orchestra)

A rich new work by Olivia Davies partnered perfectly with Konstantin Shamray and one of the orchestral repertoire’s most enjoyable masterpieces.

August 4, 2024
Theatre
Live Review

Review: English (Melbourne Theatre Company)

This Pulitzer-winning comedy about adults studying English in Iran explores identity, self-expression, alienation and belonging through language.

August 3, 2024
Chamber, Classical Music, Festivals
Live Review

Review: Baroque Temptations (Australian Festival of Chamber Music)

Clever programming and an AFCM all-star line-up captivated and occasionally astonished.

August 2, 2024
Classical Music
Live Review

Review: Hidden Thoughts II (Melbourne Symphony Orchestra)

Katy Abbott unleashes stories and emotions long trapped inside envelopes marked 'return to sender'.

August 2, 2024
Opera
Live Review

Review: Così fan tutte (Opera Australia)

A nuanced reading of Mozart’s score by conductor Zoe Zeniodi and impressive house debuts by Nardus Williams and Filipe Manu make this Così sparkle.

August 2, 2024
Theatre
Live Review

Review: Uncle Vanya (Ensemble Theatre)

Joanna Murray-Smith’s adaption feels faithful to Chekhov’s original portrait of a fractious household stuck in a rut.

August 2, 2024
Chamber, Festivals
Live Review

Review: Wonderful World – An Orchestral Experience (Australian Festival of Chamber Music)

Mesmerising music and breath-taking film imagery conveys a sometimes confronting message about our planet’s health, well-being and future.

August 1, 2024
Theatre
Live Review

Review: The Questions (State Theatre Company South Australia)

A highly polished theatrical production in which all the elements and their alchemists are in sync.

August 1, 2024
Classical Music, Vocal & Choral
Live Review

Review: The Choir of King’s College, Cambridge (Musica Viva)

The world-famous King’s College Choir elevated the soul with its crystalline voices and unsurpassable reverence for tradition.

July 31, 2024
Chamber, Classical Music
Live Review

Review: Alchymia (Omega Ensemble)

Omega Ensemble embraces the extraordinary in an exciting concert of firsts.

July 30, 2024
Classical Music
Live Review

Review: Beethoven’s Fifth (Sydney Symphony Orchestra)

Team Spain bring some gold-winning magic to an afternoon of Beethoven.

July 29, 2024
Opera, Theatre
Live Review

Review: Two Remain (Nightingale Performing Arts Australia)

This Melbourne production of US composer Jake Heggie's two-act opera touches with its pain, humanity and emotional complexity.

July 29, 2024
Chamber, Classical Music, Festivals
Live Review

Review: Australian Festival of Chamber Music (Days 1 and 2)

Goldners farewell the AFCM amid an opening barrage of bold choices, ensemble excellence and palpable passion.

July 28, 2024

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