Review: Wata: A Gathering (Sydney Symphony Orchestra)
Billed as a special event, Paul Grabowsky’s collaborative debut with the SSO lived up to the hype – and then some.
Billed as a special event, Paul Grabowsky’s collaborative debut with the SSO lived up to the hype – and then some.
Soprano Nicole Car makes a rare hometown appearance for this delicious banquet of operatic favourites.
Lin-Manuel Miranda's joyous, heartfelt musical is back at the Sydney Opera House, but the sound needs attention.
Transplanting the Bard's star-crossed lovers to modern-day Cardiff, Gary Owen's play shifts the focus from love and loss to issues of class.
Australian soprano Siobhan Stagg and South African pianist Nico De Villiers shine in a celebration of a neglected American composer.
Martyna Majok's Pulitzer Prize-winning play is a compelling story about the human need for love, care and dignity.
Cellist Timo-Veikko Valve plots the soundlines of his native and adoptive countries in a dynamic and rousing concert.
MESS hopes a shift to the centre of Melbourne will attract new listeners and take Sonorous in unexplored directions. So far, so good.
Often hilarious, sometimes poignant, but this late-nite show doesn’t fully explore the depths of Jonathan Larson's semi-autobiographical work.
Six years after its first Australian outing, Brett Dean’s must-see opera is back with Allan Clayton recreating his bravura portrayal of the titular Dane.
The SCO returns with a triumphant showcase of fresh interpretation and the interplay between conductor and concertmaster.
Commitment, virtuosity and flair in a Viennese classic and two contemporary pieces.
Rusalka is a potent reminder that opera is a hybrid beast with real power to engage and sometimes overwhelm.