Review: Dracula (Sydney Theatre Company)
Kip Williams' cine-theatrics taken a step further in a visually stunning, sometimes bombastic telling of Bram Stoker's vampire story.
Kip Williams' cine-theatrics taken a step further in a visually stunning, sometimes bombastic telling of Bram Stoker's vampire story.
Magnifique! Harpsichord star Justin Taylor sets the stage ablaze with Bach to the power of four.
A strong performance of overly familiar work ultimately overshadowed by the smaller, far more compelling pieces in this Winter Gala's first half.
An exuberant David Helfgott shines on the opening night of his nationwide farewell to public performance.
Emerging artists interpret numerous oddballs of history in this handsomely staged production of a forgotten mid-century gem.
Red Stitch’s first mainstage production transfer sees Kat Stewart playing unfair games of love and war in Edward Albee’s classic.
A near-perfect night at the opera does Puccini proud, with Suor Angelica proven to be the indispensable heart of the work.
The Festival of Voices Classical Choral Workshop Choir rises to the technical challenges of one of Mozart's greatest works.
Samuel D Hunter's play retains its emotional power and humour 12 years after its premiere and in the wake of the flawed 2022 film version starring Brendan Fraser.
Erin Helyard and the SSO show that Mr Handel’s Water Music still floats everybody’s boat 400 years on.
Sydney Chamber Choir banishes the winter chill in this jazzily convivial showcase of its versatility.
Rich and strange music for an imaginary film leads to Brahms from a different perspective.
Finnish conductor Dalia Stasevska’s supple leadership makes light work of a program of Nordic heavyweights.