Review: Vanguard (Australian String Quartet)
Australian String Quartet delivers a near-perfect concert, a balance of clarity, rhetorical urgency and sensuousness of tone.
Australian String Quartet delivers a near-perfect concert, a balance of clarity, rhetorical urgency and sensuousness of tone.
Brilliant cello star Nicolas Altstaedt and the ACO take us to Esterhazy, Transylvania and beyond.
A stellar showcase of charisma and coordination from the MSO led by visiting conductor Anja Bihlmaier.
A stunning exploration of the impressionistic potential of the piano, in an immersive visual environment.
Watershed, though not strictly an opera, is everything contemporary opera should be and so rarely is.
The 1996 Broadway revival is as slick and sexy as ever, though aspects of the latest Australian production could be tougher.
Stolen is a critical part of Australia’s theatre canon, one that does not pander or provoke, but simply tells a collective truth.
Pianist Kirill Gerstein commences his 2024 Australian tour with a display of superb technique and remarkable variety of touch.
This heart-warming debut from Little Ripa explores the relationship between two very different men, both fans of LeBron James.
Theatre, drone improvisations and opera overlooking the beach. Like the Sunshine Coast itself, the SCCMF is all about variety.
Kate Miller-Heidke's always surprising Catching Diamonds is a tonic in a music world that has become too predictable.
Minus some of the festival's marquee acts, this Gala was a showcase of hidden gems and next-generation stars.
An intriguing program, with a xylophone at the end.