Six years after its first Australian outing, Brett Dean’s must-see opera is back with Allan Clayton recreating his bravura portrayal of the titular Dane.

The SCO returns with a triumphant showcase of fresh interpretation and the interplay between conductor and concertmaster.

Commitment, virtuosity and flair in a Viennese classic and two contemporary pieces.

Rusalka is a potent reminder that opera is a hybrid beast with real power to engage and sometimes overwhelm.

Dutch pianist Joep Beving’s music is good for what ails you.

With a spectacular world premiere, Backstage Music show an unmatched, unwavering commitment to accessibility in the arts.

Ellen van Neerven's play uses a swimming pool setting to explore the complexities of belonging, identity and assimilation.

This classic-with-a-twist interpretation of Tennessee Williams’s masterpiece mostly works, especially Nikki Shiels’s magnetic Blanche DuBois.

Restoring the mythic nature of Virgil’s epic to Purcell's Baroque masterpiece, Yaron Lifschitz sets a new benchmark for opera production in Australia.

A legendary improviser and the intimacy of grand Elizabeth Bay House make for a perfect musical pair.

Director Tyran Parke deftly balances joy and grief, maintaining a buoyant tone that avoids a descent into melodrama.

In this sensational concert of French music, Olivier Latry reminds us why the organ was long ago crowned The King of Instruments.