Review: Pairings & Odd Couples (The Song Company)
Challenging repertoire, executed with a quiet confidence and attention to detail.
Challenging repertoire, executed with a quiet confidence and attention to detail.
A unique, sometimes hilarious and very memorable celebration of the tapestry of our lives and stories.
Michael Tippett’s most famous work delivered powerfully by the star-studded Sydney Philharmonia Choirs.
Ravel’s Mother Goose starts the program, but the golden egg on this occasion is a Richard Mills world premiere.
The vocal prowess of Celeste Lazarenko and Morgan Pearse the icing on the cake in Pinchgut's staging of Pergolesi's riotous 'tiny' opera.
A stripped back take on Shakespeare’s tragedy boldly chooses not to play the racism card – with mixed results.
While it’s good to leave a theatre all warm and optimistic, Orlando's non-engagement with opposing sentiment feels like calculated avoidance.
A hilarious and heart-wrenching new musical comedy about mothers, daughters, ghosts and karaoke.
Steve Martin and Edie Brickell's bluegrass musical is a heart-on-sleeve winner with everyone on stage a quadruple threat.
A moving story of resilience and resistance, Back to Bilo is a call to action in every sense.
Genevieve Lacey and Simon Martyn-Ellis cast a spell in a concert spanning medieval hymns to contemporary Australian works.
In a well-cast production of jaw-dropping design and theatricality, playwright Tom Wright returns to Troy to explore timeless themes of war.
Future stars shine bright in this showcase of Australia’s young musical talent.