A thoughtfully crafted adaptation of Ibsen's classic drama gives the story an injection of dark humour and a 19th century Australian setting.

ASO's She Speaks program delivers a magnificent celebration of music by women composers that asks: why we don't hear this music more often?

This macabre, darkly comic, strangely delightful show is a ride worth taking.

David Elton and Joseph Nolan, masters of their respective instruments, deliver a barnstorming concert of trumpet and organ.

Henry Purcell’s pocket opera Dido and Aeneas is a work ripe for reconstruction.

There is an ironic parallel between this musical’s faded movie star lead character and Sarah Brightman’s underwhelming return to musical theatre.

A pitch-perfect acting ensemble keeps the audience on the hook for an uninterrupted 100 minutes of stewing resentment and unrequited feelings.

A new Nick Wales score puts the momentum into Sydney Dance Company's visually spare, aurally rich momenta.

Despite some fine performances, this new production of Puccini’s tragedy feels diminished in Margaret Court Arena.

WASO trumpet star Jenna Smith's abilities showcased in a concert of instrumental high-wire acts.

Oscar and Felix are back, this time with Shane Jacobson and Todd McKenney in the title roles of Neil Simon’s classic comedy.

Lally Katz’s two-hander is gender flipped with perfectly placed energy, integrity, zest and clowning.