Henrik Ibsen’s original 1881 play tackled topics of hypocrisy, inherited trauma and oppression. Jodi Gallagher’s adaptation remains faithful to Ibsen’s themes while injecting humour and an Australian twist.

Ibsen, often considered the father of modern realistic drama, examined human nature in then-controversial plays like A Doll House (1879) and An Enemy of the People (1882). His works are
characterised by unflinchingly believable characters and dialogue, and laced with symbolism that invites audiences to consider deeper meanings. In Ghosts, he explores the enduring impact
of past sins and the ways they continue to haunt the present.

Kira May Samu in Ghosts. Photo © Daniel Rabin

Gallagher reimagines the original Norwegian setting, relocating the story to the oppressive neat and dust of the late 19th-century Victorian bush. The two-story house, with its dusty windows and plush furniture, is an impressive presence on stage and fully utilised from its rooftop to its multiple stories. Ben Hughes’ exceptional lighting design and Leahannah Ceff’s mounting score elevate the production’s lingering unease.

The story centres on Mrs Alving as she attempts to shield her son – the returning artist Oswald – from the dark truths of his father’s...