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Theatre
Live Review

Review: The Woman in Black (PW Productions, Woodward Productions & Neil Gooding Productions)

A theatrical ghost story delivers spine tingles with strong performances and excellent design.

May 5, 2024
Classical Music
Live Review

Review: High Stakes (Canberra International Music Festival)

A unique blend of voices and instruments performed in the high stakes environment of Australia's High Court.

May 5, 2024
Classical Music
Live Review

Review: Ode to Joy (West Australian Symphony Orchestra)

A volcanic account of Beethoven’s last symphony under the baton of British conductor Alpesh Chauhan – and more besides.

May 4, 2024
Dance
Live Review

Review: Études/Circle Electric (The Australian Ballet)

A trusty old work and a brand-new creation face off at The Australian Ballet.

May 4, 2024
Classical Music
Live Review

Review: A Musical Tempest with John Bell (Sydney Symphony Orchestra)

Storms, alarums and excursions as John Bell and the SSO put the Bard to the baton.

May 4, 2024
Chamber, Classical Music, Festivals
Live Review

Review: Dudok Quartet (Canberra International Music Festival)

No matter what genre of music they play, Amsterdam's Dudok Quartet do it with the utmost grace and clarity.

May 3, 2024
Dance
Live Review

Review: The Other Side of Me / Silence (BlakDance)

Two striking Australian First Nations dance works demonstrate a breadth of styles, from streetwise to elegiac.

May 3, 2024
Chamber, Classical Music, Festivals
Live Review

Review: Opening Gala – Compassion (Canberra International Music Festival)

Lior and Nigel Westlake's groundbreaking work made for a powerful opening statement for this year's Canberra International Music Festival.

May 2, 2024
Chamber, Classical Music
Live Review

Review: Esmé Quartet (Musica Viva Australia)

An intense, compact listening experience from a young quartet with an enviable reputation for elegance, precision and energy.

April 30, 2024
Classical Music, Vocal & Choral
Live Review

Review: Mozart’s Requiem (Sydney Chamber Choir & The Muffat Collective Orchestra)

Raw power and energy as from Sydney Chamber Choir as they scale Mozart’s final peak.

April 30, 2024
Classical Music
Live Review

Review: Beethoven’s Eroica (Tasmanian Symphony Orchestra)

A core repertoire work for the TSO refreshed, refined and made something special.

April 29, 2024
Classical Music
Live Review

Review: Osmo Vänskä conducts the music of Sibelius (Sydney Symphony Orchestra)

Great Sibelius from start to Finnish under a conductor to whom this music seems like second nature.

April 25, 2024
Theatre
Live Review

Review: Things I Know To Be True (Theatre Works)

Belinda McClory shines in Andrew Bovell’s family drama about flawed relationships tested by seismic change.

April 24, 2024

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