• Sign Up
  • Log In
  • Magazine
    • Latest Issue
    • All Issues
    • Log in support
  • News
  • Reviews
    • Live Reviews
    • Film Reviews
    • Recorded Reviews
    • Book Reviews
    • All Reviews
  • Features
    • Decoding Cultural Leadership podcast
    • World Premiere
    • Cutting Edge
    • Rising Star
    • Composer of the Month
    • Guy Noble’s Soapbox
    • All Features
  • Music
    • Playlists
    • On The Record
    • All Music
  • Opera
  • Theatre
  • Dance
  • Events
    • View calendar
    • List Your Event
  • About Us
    • Advertise
    • Support Us
    • Licensing
    • Contributors
  • Subscribe
  • Subscribe
  • Events
  • Competitions
  • Advertise
  • Donate
  • Limelight Arts Travel
  • Subscribe
  • Events
  • Competitions
  • Advertise
  • Donate
  • Limelight Arts Travel
  • Sign Up
  • Log In

  • Magazine
    • Latest Issue
    • All Issues
    • Log in support
  • News
  • Reviews
    • Live Reviews
    • Film Reviews
    • Recorded Reviews
    • Book Reviews
    • All Reviews
  • Features
    • Decoding Cultural Leadership podcast
    • World Premiere
    • Cutting Edge
    • Rising Star
    • Composer of the Month
    • Guy Noble’s Soapbox
    • All Features
  • Music
    • Playlists
    • On The Record
    • All Music
  • Opera
  • Theatre
  • Dance
  • Events
    • View calendar
    • List Your Event
  • About Us
    • Advertise
    • Support Us
    • Licensing
    • Contributors
  • Subscribe
Chamber, Classical Music, Festivals
Live Review

Review: Dudok Quartet (Canberra International Music Festival)

No matter what genre of music they play, Amsterdam's Dudok Quartet do it with the utmost grace and clarity.

May 3, 2024
Dance
Live Review

Review: The Other Side of Me / Silence (BlakDance)

Two striking Australian First Nations dance works demonstrate a breadth of styles, from streetwise to elegiac.

May 3, 2024
Chamber, Classical Music, Festivals
Live Review

Review: Opening Gala – Compassion (Canberra International Music Festival)

Lior and Nigel Westlake's groundbreaking work made for a powerful opening statement for this year's Canberra International Music Festival.

May 2, 2024
Chamber, Classical Music
Live Review

Review: Esmé Quartet (Musica Viva Australia)

An intense, compact listening experience from a young quartet with an enviable reputation for elegance, precision and energy.

April 30, 2024
Classical Music, Vocal & Choral
Live Review

Review: Mozart’s Requiem (Sydney Chamber Choir & The Muffat Collective Orchestra)

Raw power and energy as from Sydney Chamber Choir as they scale Mozart’s final peak.

April 30, 2024
Classical Music
Live Review

Review: Beethoven’s Eroica (Tasmanian Symphony Orchestra)

A core repertoire work for the TSO refreshed, refined and made something special.

April 29, 2024
Classical Music
Live Review

Review: Osmo Vänskä conducts the music of Sibelius (Sydney Symphony Orchestra)

Great Sibelius from start to Finnish under a conductor to whom this music seems like second nature.

April 25, 2024
Theatre
Live Review

Review: Things I Know To Be True (Theatre Works)

Belinda McClory shines in Andrew Bovell’s family drama about flawed relationships tested by seismic change.

April 24, 2024
Chamber, Classical Music
Live Review

Review: Blackheath Chamber Music Festival 2024: Day Three

Bravura performances of septets by the SSO principals and octets from the Goldner and Orava Quartets bring this year’s festival to a triumphant close.

April 23, 2024
Classical Music, Vocal & Choral
Live Review

Review: In Concert (Melbourne Bach Choir)

A thoughtfully curated program of choral music for those still hankering to extend the feel-good vibes of Easter.

April 23, 2024
Opera
Live Review

Review: Lucia di Lammermoor (Opera Queensland)

A perfect night at the opera opens OQ's inaugural Brisbane Bel Canto festival, giving soprano Jessica Pratt a production of Lucia to call her own.

April 22, 2024
Theatre
Live Review

Review: Sparkling Darkly (Sugary Rum Productions)

Five characters in speech-making mode spin stories that take unexpected, sometimes bizarre turns.

April 22, 2024
Theatre
Live Review

Review: The Exact Dimensions of Hell (Mackey, Darling & Collaborators)

With roots in 1990s online culture and horror movies, Bridget Mackey's two-hander explores desire, grooming and abuse.

April 22, 2024

Posts pagination

Previous 1 … 51 52 53 54 55 … 342 Next

Suite 606, Level 6
84 Pitt Street
Sydney NSW 2000

Contact Limelight

Quick Links

  • Subscribe
  • Back Issues
  • Advertising
  • Licensing
  • Help Centre
  • Editorial Policy
  • Privacy Policy
  • Contact

Arts news delivered to your inbox

Our free Weekly Newsletter delivers the latest arts news, reviews and features to your inbox each Saturday.

Sign up

© 2025 Limelight Arts Media Pty Ltd

Search