The rise of the newspaper that gave you page three girls and FREDDIE STARR ATE MY HAMSTER!

If maximalist post-genre baroque is your thing, then Kym Alexandra Dillon's SPIRITS is a work for you.

The intimate and beautiful world of Remy Le Boeuf crowns a day of vibrant jazz from young and old.

At last, Melbourne gets a chance to see Belvoir's internationally acclaimed epic of Sri Lankan history and the lived experience of its refugees.

A thoughtfully crafted adaptation of Ibsen's classic drama gives the story an injection of dark humour and a 19th century Australian setting.

ASO's She Speaks program delivers a magnificent celebration of music by women composers that asks: why we don't hear this music more often?

This macabre, darkly comic, strangely delightful show is a ride worth taking.

David Elton and Joseph Nolan, masters of their respective instruments, deliver a barnstorming concert of trumpet and organ.

Henry Purcell’s pocket opera Dido and Aeneas is a work ripe for reconstruction.

There is an ironic parallel between this musical’s faded movie star lead character and Sarah Brightman’s underwhelming return to musical theatre.

A pitch-perfect acting ensemble keeps the audience on the hook for an uninterrupted 100 minutes of stewing resentment and unrequited feelings.

A new Nick Wales score puts the momentum into Sydney Dance Company's visually spare, aurally rich momenta.