The President is among the most accessible of Thomas Bernhard's plays, but don't expect an easy ride.

An expertly calibrated staging of Samuel D. Hunter's play that hooks you from the get-go and gently reels you in.

J.S. Bach's work as a teacher and mentor is spot lit in Bach Akademie Australia's season opening concert for 2024.

Ensemble Q’s The Trout was exquisite, executed with aplomb with no flounders or red herrings.

A spine-tingling concert for an audience among the first few hundred people in the world to hear a reconstruction of a 'lost' 18th century work.

Soprano Sara Macliver shines in an exciting concert of contrasts — two Baroque gems and two compelling new works.

Omega’s glance through rear-view mirror brings old and new into sharp focus.

La Bayadère might not come this way again for many a year. Balletomanes should catch this sumptuous production while they can.

For the Love of Paper unfolds with flashes of humour and palpable warmth, but this production has some rookie issues.

Australian Haydn Ensemble, Celeste Lazarenko and Helen Sherman. A heavenly combination indeed

The Australian Ballet's dancers make Johan Inger’s masterpiece their own, meeting his challenge to find the human in its ugliness and beauty.

Patrick Marber's landmark drama still has the power to shove a new generation of audiences out of their comfort zone.