Set in modern Korea, Simon Stone's adaptation of Chekhov's final play captures the tenor of our uncertain times.

WASO’s Underground series, presented with Perth Festival, has become the orchestra’s laboratory for the wilfully eclectic.

A life-altering experience for anyone present, the long-awaited Australian debut of Pygmalion under Raphaël Pichon is a music-making miracle.

William Barton and the Brodsky Quartet are friends; and it shows.

Latin rhythms, suspenseful harmonies and compelling solos in a blend of the old and new.

This high-camp jukebox musical, combining an Elizabethan tale with music by The Go-Go's, still has room for more exuberance.

A stirring evening of bardic entertainment performed in a historic library as evocative as it is beautiful.

Glamour trumps intensity in choreographer Jenni Large’s new work.

A program packed with contrast and superb music-making.

British writer Sam Holcroft's satire reminds us that censorship seldom shows up wearing jackboots.

Elision marks 40 years with eight taut miniatures exploring texture, ritual and instrumental extremity.

Sam Raimi's cabin-the-woods horror gets a spoofy musical theatre renovation. You get laundry time.