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Dance, Festivals
Live Review

Review: GöteborgsOperans Danskompani (Sydney Festival)

The famed Swedish contemporary dance company presents works by Damien Jalet and Sharon Eyal in a soulless double bill.

January 24, 2024
Theatre
Live Review

Review: The Inheritance (fortyfivedownstairs)

This seven-hour epic is a striking reminder of shared history and celebration of possible futures.

January 23, 2024
Dance
Live Review

Review: Mutiara (Marrugeku, Sydney Festival and Perth Festival)

The history of Broome’s pearling industry and a long-ago personal connection inspired Marrugeku’s new dance work.

January 22, 2024
Musical Theatre & Cabaret, Theatre
Live Review

Review: Chicago (Crossroads Live & Jones Theatrical Group)

The slick staging and sharp, talented ensemble of Chicago shine in this classic tale of murder, seduction, corruption and all that jazz.

January 22, 2024
Theatre
Live Review

Review: Seventeen (Melbourne Theatre Company)

A gifted cast of veterans play teenagers in this clever, funny and poignant trip down memory lane.

January 22, 2024
Dance
Live Review

Review: The Sleeping Beauty (Ballet Theatre Queensland)

A young cast rises to The Sleeping Beauty’s technical challenges in this production from Australia’s oldest dance company.

January 19, 2024
Classical Music, Festivals, Instrumental
Live Review

Review: Soliloquy (Sydney Festival)

Recorder virtuoso Genevieve Lacey turns a solo recital into a visual spectacle and place for community.

January 19, 2024
Theatre
Live Review

Review: The Lonesome West (Empress Theatre)

Martin McDonagh's black comic The Lonesome West is brought to a convincing boil by two contrastingly powerful performances.

January 18, 2024
Theatre
Live Review

Review: Are we not drawn onward to new erA (Ontroerend Goed/Sydney Festival)

Ontroerend Goed's palindromic performance suggests that Paradise can be regained – but it will take more than a reversal of the damage already done.

January 17, 2024
Chamber
Live Review

Review: Neil Gaiman and FourPlay String Quartet (Sydney Opera House)

Neil Gaiman and FourPlay String Quartet take us to a place where imagination and music collide in an oddly satisfying way.

January 17, 2024
Theatre
Live Review

Review: Tiddas (Belvoir, LaBoite and Sydney Festival)

In its valiant attempt to bring a much-loved novel to life, Tiddas also reveals the challenges inherent in translating books to the stage.

January 16, 2024
Instrumental
Live Review

Review: Anoushka Shankar (Sydney Festival)

Riffs and ragas and memories of Ravi as Anoushka Shankar makes a joyous return, backed by a scintillating quartet of superb musicians.

January 15, 2024
Opera
Live Review

Review: Orpheus & Eurydice (Opera Australia & Sydney Festival)

This starkly beautiful production, performed by circus artists alongside the singers, feels fresh, modern and exciting.

January 14, 2024

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