Review: Orpheus & Eurydice (Opera Australia & Sydney Festival)
This starkly beautiful production, performed by circus artists alongside the singers, feels fresh, modern and exciting.
This starkly beautiful production, performed by circus artists alongside the singers, feels fresh, modern and exciting.
A crack cast of women animates the little known story of the women telephonists co-opted into the US war effort in 1917.
Struggling to find the right form to tell its story, this cabaret-vaudeville about Nellie Small leaves us wondering who she was and why they sent for her.
Constantine Costi’s outdoor staging of Puccini’s thriller looks beyond the Grand-Guinol and gives its heroine a fresh makeover.
A cast of rising stars and veteran talents deliver an entertaining, sometimes inspired new production of this nostalgic, feel-good musical.
Australia’s most internationally acclaimed theatre company returns with a workplace parable that asks difficult questions.
Bananaland has a strong message, powerful moments, a sensational central performance – and room for development.
The Sydney Festival gets off to a life-enhancing start with a work celebrating the wonder and resilience of the human spirit.
This is the perfect variety show for audiences wanting a sexy, fun night out on a summer's evening.
To witness Anna-Louise Cole's debut as Brünnhilde was something special – as was Chen Shi-Zheng's dazzling production.
Both traditional and innovative, this concert showcased what Chinese instruments in their modernised forms can do.
Richard Mills’s new opera reaches for the stars, but they don’t quite align for the outgoing Victorian Opera Artistic Director
Brett Weymark and the Sydney Philharmonia Choirs triumph in a high-altitude assault on Bach’s magic mountain.