Pianist Simon Trpčeski takes on one of the big pieces in the concerto repertoire – and wins.

Individual brilliance on display but ensemble scenes lack spark in this intimate staging of Edward Albee's booze-fuelled cage fight.

A menu of effervescent Mozart-influenced music perfectly matched with the bubbly eccentricity of QSO Chief Conductor Umberto Clerici.

Dickens’ festive classic is cleverly reinvented with cross-cultural humour, heart and Christmas magic.

Yirra Yaakin celebrates 30 years of performance making in a revue-style production showcasing the diversity of the company’s repertoire.

Little Eggs has once again pushed the boundaries of storytelling, developing an innovative, exciting way to retell a classic tale.

The stars align, literally and figuratively, as Simone Young’s four-year Ring Cycle lifts off to a rapturous ovation.

State Opera South Australia's Figaro pulsates with life and joie de vivre but lacks a genuinely subversive edge.

A giddy-making hayride of a show, Belvoir adapts Bulgakov’s novel with the kind of reckless creativity we imagine was required to write it in the first place.

The honeymoon may be coming to an end for the Albanese government, but it’s not yet presenting much of a target for the Wharf Revue.

Old friends Richard Tognetti and Polina Leschenko wind back the clock for the ACO’s season closer.

A Frederick Ashton double bill celebrates the British choreographer’s distinctive style and glamour.