A dissonant and challenging piece exploring identity and masculinity with few of the thrills of the circus.

An exciting showcase – not just for Lior and his new song cycle, but also for the MCO’s string players.

Bach Akademie Australia celebrates the tercentenary of the composer's appointment to his longest and most successful job.

A self-help writer from New York takes a fraught trip to the Northern Territory in Charlie Falkner's croc-infested comedy.

Pianist Simon Trpčeski takes on one of the big pieces in the concerto repertoire – and wins.

Individual brilliance on display but ensemble scenes lack spark in this intimate staging of Edward Albee's booze-fuelled cage fight.

A menu of effervescent Mozart-influenced music perfectly matched with the bubbly eccentricity of QSO Chief Conductor Umberto Clerici.

Dickens’ festive classic is cleverly reinvented with cross-cultural humour, heart and Christmas magic.

Yirra Yaakin celebrates 30 years of performance making in a revue-style production showcasing the diversity of the company’s repertoire.

Little Eggs has once again pushed the boundaries of storytelling, developing an innovative, exciting way to retell a classic tale.

The stars align, literally and figuratively, as Simone Young’s four-year Ring Cycle lifts off to a rapturous ovation.

State Opera South Australia's Figaro pulsates with life and joie de vivre but lacks a genuinely subversive edge.