Review: Soliloquy (Sydney Festival)
Recorder virtuoso Genevieve Lacey turns a solo recital into a visual spectacle and place for community.
Recorder virtuoso Genevieve Lacey turns a solo recital into a visual spectacle and place for community.
Martin McDonagh's black comic The Lonesome West is brought to a convincing boil by two contrastingly powerful performances.
Ontroerend Goed's palindromic performance suggests that Paradise can be regained – but it will take more than a reversal of the damage already done.
Neil Gaiman and FourPlay String Quartet take us to a place where imagination and music collide in an oddly satisfying way.
In its valiant attempt to bring a much-loved novel to life, Tiddas also reveals the challenges inherent in translating books to the stage.
Riffs and ragas and memories of Ravi as Anoushka Shankar makes a joyous return, backed by a scintillating quartet of superb musicians.
This starkly beautiful production, performed by circus artists alongside the singers, feels fresh, modern and exciting.
A crack cast of women animates the little known story of the women telephonists co-opted into the US war effort in 1917.
Struggling to find the right form to tell its story, this cabaret-vaudeville about Nellie Small leaves us wondering who she was and why they sent for her.
Constantine Costi’s outdoor staging of Puccini’s thriller looks beyond the Grand-Guinol and gives its heroine a fresh makeover.
A cast of rising stars and veteran talents deliver an entertaining, sometimes inspired new production of this nostalgic, feel-good musical.
Australia’s most internationally acclaimed theatre company returns with a workplace parable that asks difficult questions.
Bananaland has a strong message, powerful moments, a sensational central performance – and room for development.