Review: The Duchess of Malfi (Arrant Knaves Theatre Company)
A classic of early English theatre, this tale of bloody revenge is imperfectly reimagined as Gothic horror.
A classic of early English theatre, this tale of bloody revenge is imperfectly reimagined as Gothic horror.
If audience reaction to this concert is anything to go by, Omega Ensemble is well on its way to cementing a whole new fanbase.
An intimate program of string quartets by Haydn, Mozart and Mendelssohn expertly played by AHE in foursome mode.
Even actors as talented as Sheridan Harbridge and Jing-Xuan Chan can’t make this two-hander about love and grief particularly memorable.
Sarah Snook gives a breath-taking tour de force performance as the London lead in Sydney Theatre Company's The Picture of Dorian Gray.
Powerful and diverse stories shared with passion, charisma and courage, in a safe and welcoming space.
Life’s joys and struggles aired in a wonderful new play by Steve Rodgers, set at an aquatic centre.
Van Badham spins a mix of barbed wire and fairy floss from Lope de Vega’s story of two daughters on the auction block of marriage.
A calibrated mix of charm, lyricism and choreographic precision showcasing the exquisite virtuosity of WAB's dancers.
A concert of great orchestral power featuring pianist Alexander Gavrylyuk’s magnificent performance of Tchaikovsky’s first piano concerto.
All the elements of grand opera are here in Wundig wer Wilura: love and war, trust and betrayal, intimacy and the sublime.
This musically and visually delightful production of Leonard Bernstein’s operetta kicks off a new era for Victorian Opera.
Baroque is back at the Sydney Opera House in the form of Handel's pungent tale of religious intolerance and sacrifice in a polarised society.