State Opera South Australia's Figaro pulsates with life and joie de vivre but lacks a genuinely subversive edge.

A giddy-making hayride of a show, Belvoir adapts Bulgakov’s novel with the kind of reckless creativity we imagine was required to write it in the first place.

The honeymoon may be coming to an end for the Albanese government, but it’s not yet presenting much of a target for the Wharf Revue.

Old friends Richard Tognetti and Polina Leschenko wind back the clock for the ACO’s season closer.

A Frederick Ashton double bill celebrates the British choreographer’s distinctive style and glamour.

An ambitiously unconventional musical, carried by strong performances and moments of deep poignancy.

Armed with one of her two Stradivarius violins, Anne-Sophie Mutter amazes in a blockbuster night at the movies.

Four world premieres from four young Australian composers exhibit the staggering talent of our own.

Provocative and complex, Ella Hickson’s play about the inter-connected realms of empire, resource exploitation and our future rewards the effort it demands.

Australian String Quartet says it beautifully with flowers in a late-blooming close to the season.

A triumphant evening of "octophonic" compositions from synth magicians Naretha Williams and Monica Lim.

Neither pandemic, nor flood, nor last-minute changes of cast or caterer have managed to dim the brilliance of this 10-year-old gem of a festival.