Review: Rusalka (Opera Australia)
Nicole Car dazzles in Sarah Giles’s five-star staging of Dvořák’s masterpiece – the best in decades.
Nicole Car dazzles in Sarah Giles’s five-star staging of Dvořák’s masterpiece – the best in decades.
Every musician is afforded opportunities to shine in this expertly judged tribute to George Philipp Telemann.
Featured cellist Raphaela Gromes delivers a fresh and revelatory Dvořák Cello Concerto in a program billed as a "Journey to the Americas".
In a series of delightfully excruciating theatre games, the underlying hurts of five ordinary people are gently revealed.
A musical snapshot of Classical Vienna featuring the exquisite sounds of instruments of the era.
An astonishingly good Dolly Parton dupe provides nearly all the style for a jukebox musical otherwise short on substance.
With a different performer cold-reading every night, plus some video trickery, playwright Nassim Soleimanpour’s new show is enjoyably unsettling.
It’s back to nature as top a cappella group Sjaella make a return song-and-dance visit.
Marina Prior shines in a zany, emotional roller coaster with all the feels.
Taking it to the limit: Edward Gardner, Samantha Clarke and WASO combine to deliver a thrilling, edge-of-the-seat experience.
Jaime Martín's Spanish bonbons make for a colourful display.
Danielle de Niese is incandescent in her role debut in a new OA Carmen that's great on character, great on relationships.
European and Chinese musical traditions successfully married in a broadly appealing concert marked by unique combinations of instruments.