Review: SISTREN (Griffin Theatre, Old Fitzroy Theatre & Green Door Theatre)
A dramatic depiction of a potential friendship breakup gives way to a very Gen-Z look at meme culture and micro-aggressions.
A dramatic depiction of a potential friendship breakup gives way to a very Gen-Z look at meme culture and micro-aggressions.
Finland's rising star conductor Emilia Hoving shines in her TSO debut.
Heroic feats of design and direction abound in this impressive production, tackled by a game and acrobatic cast.
The largest instrument of its kind in the southern hemisphere – truly a "Wondrous Machine" – gets a thorough celebratory workout.
There are endings and something of a beginning hovering around Queensland Ballet’s Triple Bill.
Groundbreaker Eric Whitacre shows us Zen and the wonderful art of polyphonic maintenance.
A couple hoping to assuage their grief order a brand new child online. But this flat-packed version of the perfect son is not quite what they hoped.
The Fab Four of the Australian chamber scene – plus special guest – slay in a program of Beethoven, Shostakovich and Schumann.
It's good to see this concert of Sondheim songs take a fresh approach, but there are creases to be ironed out.
Hazem Shammas gets an acting showcase befitting his talent in Shakespeare's tale of early Rome's political strongman.
The pinnacle of cathedral organ music, brilliantly delivered by organ master Joseph Nolan.
Comedy of the most tightly choreographed kind, with every gesture, facial expression and flair of the nostrils delivered to tight cues and at a fierce pace.
The superstar at his most compelling in a Sunday afternoon recital of storied works from the French and German repertoire.