Review: Jean-Yves Thibaudet (Sydney Symphony Orchestra)
Powerful and at times diaphanous recreations of Debussy’s magnificent impressions.
Powerful and at times diaphanous recreations of Debussy’s magnificent impressions.
An adventurous program of contrasts, balancing polished gravitas with volatile contemporary energy.
An impressive debut performance from the 2026 SSO Fellows points the way to a brilliant year to come.
A very wet but completely watertight staging of a new short play, made with exceptional care and skill.
An efficient, glass-walled descent into Kafka’s world of systems, stagnation and spiritual suffocation.
QSO Chief Conductor Umberto Clerici gathers his friends for a consummate chamber music program.
Starring Emma Matthews and members of the OA Chorus, Reuben Kaye and Shaun Rennie’s unique blend of lowbrow and “Hochkunst” proves irresistible.
A Cinderella story satirically attacking the British class system.
What does traditional Irish fiddle music gain from being played in a cathedral? Quite a lot, as it turns out.
A white canvas exposes the fragile architecture of friendship in a smart comedy of high art, low blows and male insecurity.
Julia Child is alive and cooking in this bite-sized opera monologue baked to perfect imperfection.
Playwright Jean Tong delivers a gently satirical exploration of the workplace and heartfelt representation of an unlikely friendship.
Indigenous women are front and centre in this meditative play about relationships with family and Country.