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Classical Music
Live Review

Review: Jean-Yves Thibaudet (Sydney Symphony Orchestra)

Powerful and at times diaphanous recreations of Debussy’s magnificent impressions.

February 24, 2026
Chamber, Classical Music
Live Review

Review: Classic Alchemy (Camerata – Queensland’s Chamber Orchestra)

An adventurous program of contrasts, balancing polished gravitas with volatile contemporary energy.

February 24, 2026
Classical Music
Live Review

Review: Meet the Fellows (Sydney Symphony Fellows in Concert)

An impressive debut performance from the 2026 SSO Fellows points the way to a brilliant year to come.

February 23, 2026
Theatre
Live Review

Review: Gravy (Merak & KXT on Broadway)

A very wet but completely watertight staging of a new short play, made with exceptional care and skill.

February 23, 2026
Festivals, Opera
Live Review

Review: The Trial (Lost & Found Opera & Perth Festival)

An efficient, glass-walled descent into Kafka’s world of systems, stagnation and spiritual suffocation.

February 23, 2026
Chamber, Classical Music
Live Review

Review: Lonquich-Clerici-Mehner Trio with Júlia Pusker (UKARIA Cultural Centre)

QSO Chief Conductor Umberto Clerici gathers his friends for a consummate chamber music program.

February 23, 2026
Opera
Live Review

Review: Opera Up Late (Opera Australia)

Starring Emma Matthews and members of the OA Chorus, Reuben Kaye and Shaun Rennie’s unique blend of lowbrow and “Hochkunst” proves irresistible.

February 22, 2026
Theatre
Live Review

Review: Eat the Rich (but maybe not me mates X) (Adelaide Fringe Festival)

A Cinderella story satirically attacking the British class system.

February 22, 2026
Live Review

Review: Martin Hayes (Perth Festival)

What does traditional Irish fiddle music gain from being played in a cathedral? Quite a lot, as it turns out. 

February 20, 2026
Theatre
Live Review

Review: Art (Rodney Rigby, Marriner Group, Paul Wheelton & State Theatre Company South Australia)

A white canvas exposes the fragile architecture of friendship in a smart comedy of high art, low blows and male insecurity.

February 20, 2026
Opera
Live Review

Review: Bon Appétit! (Deborah Humble)

Julia Child is alive and cooking in this bite-sized opera monologue baked to perfect imperfection.

February 20, 2026
Theatre
Live Review

Review: Do Not Pass Go (Melbourne Theatre Company)

Playwright Jean Tong delivers a gently satirical exploration of the workplace and heartfelt representation of an unlikely friendship.

February 20, 2026
Theatre
Live Review

Review: Black Light (Malthouse Theatre)

Indigenous women are front and centre in this meditative play about relationships with family and Country.

February 19, 2026

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