Review: Benjamin Britten’s War Requiem (Brisbane Festival)
The tensions between private grief and public ritual movingly explored in an eloquent, expertly performed War Requiem.
The tensions between private grief and public ritual movingly explored in an eloquent, expertly performed War Requiem.
Jane Harrison's powerful play offers a very different, thought-provoking perspective on the arrival of the First Fleet.
The choice of venue and music alone tells you that Circa is aiming for something far more lofty than the oohs and ahs of the big top.
A flawless scaffold of soundscapes enhance the irrepressible ingenuity of Brisbane filmmaker Anthony Lucas.
This sweet little musical comedy manages to be life-affirming without becoming schmaltzy.
Johannes Fritzsch and Michael Gow lead Queensland Conservatorium performers to triumph in an engaging and innovative retelling of an old tale.
This engrossing start to Barrie Kosky’s new Ring Cycle can be seen in Australian cinemas this month.
Mesmerising stagecraft, sublime lighting and stunning orchestrations represent a towering technical achievement despite an overladen script.
Delivering a beloved choral classic alongside satisfying new Australian works proved a great example of modern programming.
Despite moments of promise and some standout performances, this production doesn't quite deliver.
Excellent performances from Ilya Gringolts and the TSO string section take the orchestra to new heights.
Sarah Giles' decadent production features some wonderful performances and a set design that cleverly shifts perspective.
Sopranos Helena Dix and Eleanor Greenwood are magnificent as rival queens in Donizetti’s Tudor tragedy.