Review: The Lover (Australian Brandenburg Orchestra)
No grounds for complaint as French Baroque violinist Théotime Langlois de Swarte shows why he's a rising star.
No grounds for complaint as French Baroque violinist Théotime Langlois de Swarte shows why he's a rising star.
Returning to Melbourne for a concert version of Strauss’s final opera, Simone Young drew out the score's beauty; a little visual pleasure wouldn't have gone astray.
Zahra Newman magnificently delivers Billie Holiday in all her forms in this engrossing metamusical showcase.
Friends combine in a fine performance of three extraordinary masterworks illuminating their composers’ careers.
A delightful journey into the heart of French choral music from Brisbane’s new professional vocal ensemble.
Stylish singing and spirited playing showcases inventive programming from respective artistic directors, Kate McNamara and Helen Kruger.
Shakespeare's political potboiler delivered with clarity, purposeful energy and a strong understanding of the text.
A symphonic evocation of heaven, angelic performances by pianist Steven Osborne and soprano Olivia Warburton, and an education in composition.
This electrifying production of Boublil & Schönberg's musical features some dazzling performances.
Fine performances grace debut playwright Hannah Belanszky's earnest work about a father and daughter yearning for connection.
Directed by Andrew Haveron, the SSO strings strut their stuff and two extraordinary guest artists shine.
Throughout the 60 minutes of this Australian Chamber Choir performance, Michelangelo’s influence was never far away.
Australian Haydn Ensemble’s magnificent seven nail a stripped back Beethoven classic.