Tchaikovsky’s “terrifying despair” and some cello to die for in SSO's Russian double blockbuster.

A timely unearthing of a confronting work, a Goldner farewell and 44 Not Out for Jack Liebeck. AFCM 2024 wraps up.

The audience is a crucial element in the ACO’s collaboration with Sydney Dance Company and celebrated countertenor Iestyn Davies.

A from-the-heart performance by conductor and players alike – and it got to the hearts of everyone listening.

A rich new work by Olivia Davies partnered perfectly with Konstantin Shamray and one of the orchestral repertoire’s most enjoyable masterpieces.

This Pulitzer-winning comedy about adults studying English in Iran explores identity, self-expression, alienation and belonging through language.

Clever programming and an AFCM all-star line-up captivated and occasionally astonished.

Katy Abbott unleashes stories and emotions long trapped inside envelopes marked 'return to sender'.

A nuanced reading of Mozart’s score by conductor Zoe Zeniodi and impressive house debuts by Nardus Williams and Filipe Manu make this Così sparkle.

Joanna Murray-Smith’s adaption feels faithful to Chekhov’s original portrait of a fractious household stuck in a rut.

Mesmerising music and breath-taking film imagery conveys a sometimes confronting message about our planet’s health, well-being and future.

A highly polished theatrical production in which all the elements and their alchemists are in sync.