Review: Murder for Two (Hayes Theatre Co)
This mad little musical whodunit is delicious, bonkers and extremely funny.
This mad little musical whodunit is delicious, bonkers and extremely funny.
There is much to recognise and cherish in this adaptation of Charlotte Wood's touching novel of old friends reuniting.
With its warm and reverberant acoustics, Elder Hall proves an entirely sympathetic venue for this airing of disparate works.
Opera Queensland's Cosi is a lot funnier, fancier and fizzier than its advertising poster suggests.
The stars were out for Opera Australia’s concert version of Ponchielli’s one and only hit opera with Jonas Kaufmann's artistry front and centre.
Elvis is in the building – and Rob Mallett does him proud in a musical that gathers steam in the second act.
The Swiss-based Adelaide-born cellist James Morley got a rock star welcome – and played like one, too.
Richard Tognetti takes us on a vibrant and colourful Bohemian sojourn with melodies to spare.
Featuring an expat string star and beefed up with wind, trumpet and percussion players, Camerata bursts with musical colour.
A remarkable night of chamber music saw the Goldner String Quartet call it a day with a definitive reading of a Mozart favourite.
Never mind the shoestring budget, this production provides a much-needed platform for some of our best emerging voices.
School's in for some of our best young players at this year's Australian Festival of Chamber Music.
In a near perfect evening, WASO breathed new life into an old warhorse and delivered a riveting account of Dvořák's Symphony No. 7.