Review: Beethoven’s Eighth (Australian Haydn Ensemble)
Beethoven, Mozart and a luminous new work by Ella Macens showcase the Australian Haydn Ensemble’s elegance, invention and emotional depth.
Beethoven, Mozart and a luminous new work by Ella Macens showcase the Australian Haydn Ensemble’s elegance, invention and emotional depth.
Brooklyn Rider’s curated five-concert program for UKARIA’s Chamberfest 2025 shows how music reflects the society from which it emerges.
Guest Pianist Emmanuel Despax showcases both his virtuosity and generosity as a mentor to aspiring Chopin interpreters.
Benjamin Law adapts author Cory Taylor’s final work into a one-woman show that’s honest, humorous and heartfelt.
A naked commune comedy lays bare the illusions of freedom, fame and going off-grid.
A swirling poem of struggle and survival expressed vividly in dance, multiple languages, music and the moving image.
Plenty to sing about as Salut! winds up its 30th-anniversary season with a celebration of the human voice.
An exhilarating wedding party-themed concert, played at blistering pace and punctuated with rousing trumpet playing.
American composer Sarah Kirkland Snider offers a refreshing, contemporary female perspective on Homer’s Odyssey.
Sunny Kim, Joanna Duda and Helen Svoboda deliver a joyous and idiosyncratic set to redraw genre boundaries.
Nicholas McCarthy makes an impressive MSO debut, comfortably accounting for the technical and interpretative demands of Ravel's Piano Concerto for the Left Hand.
Brilliantly delivered, this searing monodrama examines the personal impact of America's gun culture.
A voice for the generations, Samara Joy shows us what all the fuss is about.