Review: A Knight’s Tale (West Australian Symphony Orchestra)
Mozart's Figaro into Bruckner’s Fourth makes for a bottom-heavy program but superlative playing by the WASO makes light of it.
Mozart's Figaro into Bruckner’s Fourth makes for a bottom-heavy program but superlative playing by the WASO makes light of it.
Information, disinformation and distraction all part of Lucy Prebble's play about the notorious assassination of a Russian defector.
An apt title for a theatre located under the flightpath of Sydney Airport but The Approach has nothing to do with air traffic.
Notions of authenticity explored and contemporary politics expertly skewered in this ambitious, flawlessly performed two-hander.
Winter in Canberra seems more memory than dream these days but this was an imaginative and satisfying experience.
Musica Viva Tasmania assembles a formidable team for a stylistically varied program of piano quartets.
An enjoyable, eclectic evening of awe-inspiring musicianship with an unlikely instrumental trio.
The Sydney-based saxophone quartet brings to life its album Tango de Saxos in a performance that transports us to the dance halls of Buenos Aires.
Talent, enthusiasm and diversity make this humble production of a classic musical well worth a look.
A short, sharply written double bill showcases great British playwright Caryl Churchill.
In her new solo show, Bernadette Robinson inhabits 10 divas, from Maria Callas to Amy Winehouse.
WASO delivers one of its most original and entertaining concert programs to date - and farewells a 30-year veteran.
This mad little musical whodunit is delicious, bonkers and extremely funny.