Review: The Trial (Lost & Found Opera & Perth Festival)
An efficient, glass-walled descent into Kafka’s world of systems, stagnation and spiritual suffocation.
An efficient, glass-walled descent into Kafka’s world of systems, stagnation and spiritual suffocation.
QSO Chief Conductor Umberto Clerici gathers his friends for a consummate chamber music program.
Starring Emma Matthews and members of the OA Chorus, Reuben Kaye and Shaun Rennie’s unique blend of lowbrow and “Hochkunst” proves irresistible.
A Cinderella story satirically attacking the British class system.
What does traditional Irish fiddle music gain from being played in a cathedral? Quite a lot, as it turns out.
A white canvas exposes the fragile architecture of friendship in a smart comedy of high art, low blows and male insecurity.
Julia Child is alive and cooking in this bite-sized opera monologue baked to perfect imperfection.
Playwright Jean Tong delivers a gently satirical exploration of the workplace and heartfelt representation of an unlikely friendship.
Indigenous women are front and centre in this meditative play about relationships with family and Country.
Inconsistent vision dilutes F. Scott Fitzgerald’s tale of decadence, desire and destruction.
Will O'Mahony's story of an unhappy former student contemplating a school reunion gets a welcome and witty late-nite production.
Visually exciting and musically impeccable, this production is a wonderful way to experience Schubert's Die Winterreise.
Love, memory, inheritance and the law collide in a quietly moving domestic drama.