Review: Emerald City (Ensemble Theatre)
In a room tuned to chamber-sized work, David Williamson's Emerald City comes across as shouty and unsubtle.
In a room tuned to chamber-sized work, David Williamson's Emerald City comes across as shouty and unsubtle.
Sjaella is an experience in superb singing and musicianship – melded with unique grace and presence.
A humane, darkly comic ride into the chaos of addiction – and out the other side.
Harold Pinter's famous love-triangle drama lacks some hard edges and sharp points.
A compelling folk-fantasy set in an imagined Wild West has its wings clipped by inconsistent performances and direction.
Orchestral colour and brilliance come to the fore as the TSO welcomes back Ukrainian-born pianist Alexander Gavrylyuk.
Kathryn Selby’s program of three extraordinary piano trios culminates in a profoundly affecting performance of a wartime Shostakovich classic.
A little night music with a slice of Vienna from homecoming pianist Joseph Havlat.
Nicole Car dazzles in Sarah Giles’s five-star staging of Dvořák’s masterpiece – the best in decades.
Every musician is afforded opportunities to shine in this expertly judged tribute to George Philipp Telemann.
Featured cellist Raphaela Gromes delivers a fresh and revelatory Dvořák Cello Concerto in a program billed as a "Journey to the Americas".
In a series of delightfully excruciating theatre games, the underlying hurts of five ordinary people are gently revealed.
A musical snapshot of Classical Vienna featuring the exquisite sounds of instruments of the era.