Review: Romeo and Juliet (Bell Shakespeare)
An appealing back-to-basics approach for this Romeo and Juliet has Shakespeare’s words do the heavy lifting.
An appealing back-to-basics approach for this Romeo and Juliet has Shakespeare’s words do the heavy lifting.
Fourteen seasons in one night and a very crowded house at the Great Synagogue.
This ingenious, double-plotted musical, with a stunning jazz score and hilarious book, is brought to vivid life at the Hayes.
This new Il trovatore may not sit well with the purist, but this is one of the most interesting productions of the year.
An adventurous and usual program blended the best of choral singing with jazz – and all with a strong French accent.
A superlative evening of Mozart from Tognetti and company helps us escape these troubling times.
As Wicked did for The Wizard of Oz, this new Australian musical gives the Cinderella fairytale a modern makeover.
An exploration of symphonic form, and a magnificent Li-Wei Qin cello concerto performance, beneath a wintry night sky.
A cross-country journey of revenge continues the cycle of family violence in this darkly comic American play.
Melanie Lane’s Slow Haunt and Adam Alzaim’s GAINSBOURG are perfect foils in a double bill of the visceral and the spectral.
A treat for young lovers of music and theatre, and an easy entry point for little ones starting their performing-arts adventures.
Cutting edge Ensemble Offspring make a deliciously virtuosic Meale of Incredible Floridas.
The everyday and extreme challenges we face, mixed with Sugar and some spice, create a life-affirming slice of contemporary theatre.