One-act political satires by George Dreyfus and Ernst Krenek delivered in thrilling style with every detail of tone and colour writ large.

A rapturous program cements our youngest orchestra’s place among Australia's finest.

Australian Baroque apply formidable technical prowess, knowledge and sensitivity to works by a composer at the height of his powers.

At this level of musicianship, reports Phil Scott, comparisons may be odious, but they’re also fascinating.

This energetic telling of the story of a trail-blazing mechanic and entrepreneur isn't firing on all cylinders.

Playwright Erica J. Brennan puts a provocative and bloody spin on a folk tale trope.

Virtuosity is a given, writes Phil Scott. Winners will be judged on their choices, personal presence and relationship with the orchestra.

Full of heart and emotional complexity, Forgetting Tim Minchin doesn't leave a dry eye in the house.

A celebration of music both Great and British, Fish, Chips & Warm Beer was brilliantly played and passionately delivered.  

This arresting new production of Caryl Churchill’s Far Away makes its dystopian vision seems more prophetic than ever.

A community collaboration that dissolves the boundaries between cultures and creates a wondrous new musical performance.

Lacking nuance and originality, Jailbaby’s depictions of violence seem gratuitous, its characters insufficiently complex.