Michael Griffiths's deeply personal autobiographical cabaret, set to the music of the Pet Shop Boys.

Performed in a disused power station, this large-scale, satirical performance loses its way on the road to reality.

This new Aussie musical, or song cycle, is sweet and charming, though the linking narrative isn't clear.

British playwright Nina Raine's Consent gets a commanding Australian premiere from Outhouse Theatre Co.

Romantic ballet reimagined as grotesque body-horror in the latest work from renegade choreographer Florentina Holzinger.

A purposefully didactic work, Stories from the Violins of Hope is part of the much greater project to ensure the victims of the Holocaust are never forgotten.

A lifetime of musical experience distilled into a masterclass in technique and terraced dynamics.

Its aspirations are high, but this story of an infamous university club loses its footing under the weight of historical accuracy and overwrought dialogue.

A night of subtle, cinematic enchantment from Max Richter and the Sydney Symphony Orchestra.

Two works that helped establish their composers with the wider public given an exemplary showcase by Australian Romantic & Classical Orchestra.

Asher Fisch and WASO were at their finest in Symphonic Titans, with killer accuracy tempering volcanic energy.

The nature of counterpoint and fugue brilliantly illustrated by the QSO in an intimate rehearsal room concert.