The brilliant Brodskys celebrate Sydney Opera House’s golden anniversary with three days of music by Bach, Schubert and Britten.

Saving the best for last, this year’s festival rings down the curtain with a world premiere and a moody reading of Schubert’s Octet.

UFO is not a play in which a lot actually happens. What makes it completely engaging is the way not a lot happens.

The Italian bass Ferruccio Furlanetto brings his signature expressiveness to songs and arias from a half-century on stage.

The Marais Project takes us on a spine-tingling journey through 400 years of music and leaves the audience begging for more.

The memorable premiere of a new musical landmark, Elena Kats-Chernin’s violin concerto, featuring a wondrous performance by violinist Emily Sun.

Peruvian conductor Miguel Harth-Bedoya wields the baton over a concert remarkable for its fire, finesse and furious percussion.

John Bell and Simon Tedeschi’s delightful portrait of Mozart is part recital, part cabaret and a must-see for anyone who wants to know the man behind the legend.

A short, sweet and informative voyage into deep space with Australian Baroque at the helm.

Damien Ryan’s As You Like It is a wonderfully absurd and entertaining night of Shakespeare, including new original music.

The third collaboration between WA Opera and UWA’s Conservatorium of Music, Oratorio is a startling resurrection of an “ugly duckling”.

Sincere and irreverent, this new musical transforms an enduring symbol of suffering into one of hope – and never lets the facts get in the way.