Rarely performed early Italian Baroque works beautifully interpreted by early-music specialists of rare talent.

Sydney Philharmonia Choirs celebrates a significant milestone with blazing performance of Handel's Samson, with soloists and choir on top form.

An epic double bill of sustained intensity and a performance the likes of which you’d be very fortunate indeed to hear again.

Crack Canberra vocal ensemble Luminescence gives body and soul in this rare visit to the Emerald City.

It might be called Julia, but what Joanna Murray-Smith’s play has its sights on all the time is The Speech.

The big finish to Wagner's monumental Ring cycle is musically and dramatically strong, engaging and a feather in Melbourne Opera's cap.

The Aussie debut of the UK's Renaissance music boy band brings a delicious, harmonic slice of English cathedral tradition to our shores.

Dietrich Buxtehude's consideration of the body of Christ upon the cross is brilliantly performed by Pinchgut's gilt-edged ensemble.

The problem child third opera in Wagner’s Ring tetralogy, Siegfried is dominated by male voices but women save the day.

Fences might strike some as old-fashioned. But this production’s power to immerse you in the lives of others is undeniable.

The honour of being the first show in a new venue goes to the gritty Cherry Smoke, a play that feels out of step with the times.

EO extends a warm hand to its audience from within a private home with new music and a virtuosic world premiere.