Canadian company Kidd Pivot's Revisor melds dance and text in an inspired version of Gogol’s The Government Inspector.

Drizzle Boy, Ryan Enniss' coming-of-age play about a young autistic man, is affecting, hopeful – and a little bit magic.

Less is more in this final instalment of Donizetti’s Tudor trilogy, with vocal fireworks honouring the memory of the divas responsible for the bel canto revival.

A truly living music and the closest you can get to hearing the late Astor Piazzolla himself.

An eclectic trio of contemporary dance works, Ascent is crowned by the return of Antony Hamilton’s exhilarating Forever & Ever.

The Australian Ballet brings its 1973 film Don Quixote to life in this vibrant rendering of one of ballet’s much-loved classics.

Trans-Mediterranean cultures meet in an absolute tonic of a show from the Australian Chamber Orchestra and the brothers Tawadros.

This moving, tech-savvy rendition of Irish writer Margaret Perry's Collapsible is rich with imagery and humour.

Two world premieres among works by five composers celebrating Composing Women, Sydney Con’s push for a truly equal music.

The world premiere of Nick Russoniello’s explosive concerto brought out the best from performer and audience alike for Orange Chamber Music Festival.

Over the past seven years, the UKARIA-based Chamber Landscapes series has grown to become an integral part of the Adelaide Festival.

Shakespeare's tragedy gets a radical makeover in & Juliet, a new musical fuelled by the smash hits of Max Martin.