Review: Clyde’s (Ensemble Theatre)
The nuances in US playwright Lynn Nottage's portrait of a last-chance diner are ironed-out in an over-the-top production.
The nuances in US playwright Lynn Nottage's portrait of a last-chance diner are ironed-out in an over-the-top production.
Thea von Harbou’s vertiginous depiction of a world run by corporations re-engineered into a satisfying – if not entirely moving – chamber musical.
The young and talented Parisian Quatuor Van Kuijk impress with a sublime afternoon of Mozart, Debussy and Mendelssohn.
With a little help from her friends, Kathryn Selby delivers an absorbing concert of emotionally charged works for duo and trio.
Co-starring dancers and micro-drones, Lucie In the Sky is a hopeful step towards sharing and mapping a brave new world with AI.
Dunera Mass provides a rare and welcome opportunity to hear music rescued fortuitously from the debris of war.
The West Australian Ballet’s triple bill is as much a celebration of three renowned composers – Glazunov, Delibes and Gershwin – as it is of dance.
The European premiere of Cat Hope's wordless opera Speechless creates a conduit for an enormously complex international crisis to resonate on a personal level.
The stars come out for a night of popular music that sends its audience out on a high.
Comedian Judith Lucy steps up in a Beckett classic loaded with dark, existential humour.
The Australian Ballet puts its best foot forward with a sexy, technically brilliant performance of Balanchine’s iconic ballet.
A satisfying selection of musical fairy tales and nursery rhymes in a program that didn't quite cohere.
Sir Simon Rattle's revelatory reading of Bruckner’s masterpiece rounds off a remarkable week at the Sydney Opera House.