The Bard’s most concise and violent tragedy gets a softly-softly reading in this production starring Hazem Shammas.

Toxic masculinity is put under the microscope as Shaun Parker’s testosterone-infused dance work KING returns for Sydney WorldPride before touring Europe.

Classic works by Tchaikovsky and Copland, interspersed with lesser-known contemporary pieces, made for a delightful Camerata season opener.

The company’s outdoor offering for 2023 is its boldest move yet, a well-judged production of Bizet’s Carmen at the WACA stadium.

Melbourne Symphony Orchestra launches its season with a powerful if sonically patchy showcase featuring Siobhan Stagg and a new work by Mary Finsterer.

Powerful hints of mortality in an Omega Ensemble programme that ranges across time and country and those who have gone before us.

Featuring cellist Elinor Frey, the Australian Brandenburg Orchestra’s Spanish Steps is a fascinating lesson in un-learning for an ensemble of expert players.

For students studying The Crucible at any level, this recording of Lyndsey Turner's London production is an excellent resource.

Equations of a Falling Body is a fine addition to Laura Boynes’ evolving oeuvre and a promise of further gems to come.

Two terrific central performances in Gentlemen Prefer Blondes lift a production that mostly struggles to find its rhythm.

The internationally renowned soprano Siobhan Stagg returns home in triumph with a program of evocative art songs.

Director Rosetta Cucchi’s striking conception and a surprise role debut made Francesco Cilea’s Adriana Lecouvreur an unmissable theatrical event.