Richard Mills to depart Victorian Opera
The acclaimed composer and conductor will leave VO at the end of the 2023 season, after a decade as Artistic Director.
The acclaimed composer and conductor will leave VO at the end of the 2023 season, after a decade as Artistic Director.
"Australia's leading arts and culture think tank" finds per capita government expenditure on arts and culture has dropped over the past fifteen years.
The Australian Music Centre is working with Wikimedia Australia to get more information about Australian music onto the world’s biggest encyclopaedia.
The Australian Music Centre is offering $5,000 subsidies for Australian artists, administrators and music industry professionals to attend Jazzahead, a conference, trade fair and showcase in Bremen in April.
Arts executive to head project bankrolled by arts philanthropist Naomi Milgrom
Melbourne Opera will tour its new Ring Cycle to Bendigo’s Ulumbarra Theatre in 2023 in a national first.
This month's features explore electric instruments in classical music, and women and sexual violence in opera. We also interview Paavali Jumppanen, Artistic Director of ANAM, and explore Halévy's grand opera La Juive.
Acacia Quartet will perform at venues and conservatories through NSW, establishing a touring route for other artists to follow.
Minister for the Arts Leeanne Enoch has announced two new initiatives, creating new funding channels for diverse and First Nations artists.
When Aaron Wyatt steps on stage tonight to conduct Deborah Cheetham's Long Time Living Here for the MSO, he will be the first Indigenous person to conduct one of Australia's state orchestras.
George Crumb’s death at the age of 92 is an immeasurable loss for the arts. A composer with an extraordinary talent for finding new sonorities, colours, and sounds in his haunting works, his titanic impact on music in the twentieth century is still felt even now.
A new competition seeks to inspire fun, lively pieces for amateur musicians to perform.
In his biggest role to date, Joshua Robson will don the mask of the Phantom of the Opera. He tells Limelight that the stars aligned for him this time and that he is "beyond words" at landing the role.