A player of "outstanding musicianship [and] diplomatic finesse," Hazelwood was Concertmaster of the SSO for 33 years.

Tenth Muse Initiative tracked diversity in Australian orchestral programming in 2024. Which organisations are pulling their weight?

In its fourth round, the Export Development Fund supports 85 projects with international ambitions.

The Perth-born conductor has been named the new music director of Philadelphia’s No Name Pops.

Newly tabled report recommends ticket levies and tax offsets to help music venues keep their doors open, and transparency in dynamic pricing.

Expert in the music of 17th and 18th centuries, Donald Nicolson is also active in music outside the bounds of historically-informed performance.

It's One Equal Music's "most ambitious year yet", with a new album, choir and two collaborations in store for 2025.

Ωhm Festival acts postponed as Tropical Cyclone Alfred nears; Sister Act cancels next three performances; La Boite's Macbeth on hold.

The Melbourne violinist and Flinders Quartet member has been recognised as a musician "of the highest calibre".

Theatre and opera director Matthew Lutton "thrilled" as he makes the leap from Melbourne's Malthouse to Adelaide Festival.

Europe-based Australian violinist Natalie Chee is "thrilled" to be returning home to take up the position of Concertmaster with the MSO.

Hans Zimmer, Max Richter and Andrew Lloyd Webber among the 1000+ creatives fighting proposed changes to UK copyright law.