The May 2024 issue of Limelight is now available online, with hard copies on their way to those with a print subscription. Click below to go straight to the issue, or continue on to find out what’s inside.
Why are Puccini’s operas so popular a century after his death?
by Alexandra Wilson
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Also in this issue ...
- On Stage: the buzz around live performance
- Newsworthy: a round-up of our recent news reports
- Comings and Goings: the latest arts appointments and departures
- Todd McKenney: interview by Jo Litson
- On the Record: column by Clive Paget
- Cutting Edge: William Brittelle by Maddy Briggs
- Festival of Outback Opera: by Jansson J. Antmann
- Australian Musical Theatre Festival: by Jo Litson
- A Singular Voice: the Choral Music of Ross Edwards: book review by Will Yeoman
- Freud’s Last Session: film review by Jason Blake
- On Air & Online: Watershed: The Death of Dr Duncan
- Guy Noble’s Soapbox: Calls and Campanology
- Playing Up: the trumpet with Tine Thing Helseth
- World Premiere: Ross Edwards’ Vespers for Mother Earth
- Five Questions: Canberra International Music Festival’s Roland Peelman
- My Music: Queensland Ballet’s Leanne Benjamin
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